Devourer of books with a preference for fiction. Quite good at competitive reading. Happily hoards books of all kinds. Gets stabby going too long without reading.
Glory Hallelujah (yup, that's actually her name) Greenleaf is the only one in her family who's never broken the law or deviated from the straight and narrow. Unlike most of her other family members, who only seem to leave Hellcat Canyon to go to prison or when they die, Glory was going to become a star, using her songwriting and singing talent to make it big. Of course, then her brother Jonah was arrested for meth dealing and she had to use all her savings to help pay her mother's mortgage, and now she's still impatiently cooling her heels, trying to make ends meet by waitressing badly.
Deputy sheriff Eli Barlow has loved Glory since he was twelve years old, but any chance he had of winning her heart was crushed when he had to arrest her brother, his best friends, for meth dealing. He can't entirely understand what she's still doing in town, considering she had several demo tapes recorded and was all set to leave to get herself a music career. He hates that he had to break her heart (and his own) by arresting Jonah, and desperately wants to make things right between them. When Hollywood talent comes to town and takes notice of Glory's talent, Eli realises that the best way to win this woman's heart is to make sure she can leave Hellcat Canyon forever.
Julie Anne Long will always have some leeway with me, having written one of my favourite romances of all time, What I Did for a Duke. I can respect that she wants to try new things, having written historical novels for most of her career. I thought Wild at Whiskey Creek worked moderately better than her first attempt at contemporary romance, Hot in Hellcat Canyon, although she still has quite a way to go to reach the levels of quality or entertainment value of her best historicals. In her biographical information for this book, Long reveals that she herself wanted to become a rock star and did both singing and guitar playing, but writing became her career choice instead. She certainly seems to know what she's talking about with regards to songwriting and composing (I know nothing about guitar playing, and only barely learned to strum a few chords during whatever basic lessons they gave us in music class in secondary school). I will also give her this, the earworm indie hit that is referenced throughout the story ended up getting stuck in my head as I read the book, despite the fact that it was a fictional song, that I'd never heard. I still ended up reciting the catchy chorus in my head. So kudos to you for that, Ms. Long.
Couples who have loved one another since they were children can be a tricky thing to pull off, but Ms. Long manages pretty well here. Since Eli and Glory's brother Jonah were best friends and grew up inseparably together, it seems natural he would also have spent a lot of time with Glory during that time. It's established that neither Eli nor Glory are silently and celibately pining for the other, they both date and have other relationships, but share one scorching and very memorable kiss when they are both single. Sadly, this is just before the bit where Eli has to arrest Jonah and send him to prison for years, making the fiercely loyal Glory shun him like the plague. Eli hates that he had to hurt her, and hates the reckless Jonah quite a bit as well, for giving the law-abiding Eli no choice but to do his job.
After pretty much rudely telling everyone in town where to stick it before her brother got arrested, because she was getting out and becoming a big singing star, Glory has been forced to apologise to a lot of people and help support her widowed mother and assorted hard-up half-siblings by waitressing. The arrival of Hollywood TV crews, filming new historical prestige show, set during the California Gold Rush, also brings handsome television and movie actor Franco Francone to town. He pisses off Eli by joyriding his Porsche way above the speed limit through town, and making the moves on Glory, who is clearly the most interesting of all the single ladies in Hellcat Canyon. She's amused by his attention, but mainly flirts with him to make Eli jealous. Eli, on the other hand, has been set up with one of the makeup artists on the show, and tries his best to forget his impossible infatuation with Glory, who he's always known is meant for far better than him and the little mountain region they're from, no matter how lawless and hopeless most of her family members are.
Because they've grown up together, there is no need for Eli and Glory to get to know each other. They have a shared past and just need to get past the conflict caused when utterly decent and law-abiding Eli arrested Glory's beloved, but rather careless brother. It's quite clear that Glory has a lot of talent, and needs to get her chance to show the world. So they need to figure out how they can reconcile their romantic feelings for one another, when Eli doesn't really have any plans of leaving Hellcat Canyon, while Glory wants nothing more than to get away.
Having written eleven Regency novels set in the little English town of Pennyroyal Green, Julie Anne Long is good at creating a cozy setting for her books. The towns of Hellcat Canyon and Whiskey Creek clearly have their fair share of colourful supporting cast that help populate the stories, many of whom the reader was already introduced to in the first book in the series. You by no means need to have read the previous book to enjoy this one, but it's quite clear that several of the secondary characters here will feature more prominently in future books.
Sadly, while these books are perfectly entertaining as you're reading them, they're not very memorable. I read this at the beginning of December, and already I'm having trouble remembering specific details about the plot, except that Glory's younger half-brother and his clueless selfishness really annoyed me, plus there was a little too much of the romance plot that was Eli or Glory jealous of the other, but not actually talking to each other. Oh, and Ms. Long needs to realise that now that she's writing contemporary romances, she NEEDS to acknowledge that in the modern world, couples use some form of protection and talk about it before they fall into bed with one another. Really, it doesn't need to take up a lot of page space, but the fact that in both this and her previous contemporary, there is no talk of condoms, other contraceptives, the possibility of STDs or pregnancy. It's a minor point, but I saw it referenced in another review of this book as well, and I absolutely agree.
This book was on Kirkus Best of 2016 list of romances. They clearly have very different taste in romance from me, since the excellent The Hating Game wasn't even on the list, while several romances that I found entertaining, but really nothing special were represented. While this was a better contemporary than her previous one, Julie Anne Long will have to do better to truly impress me, and I'm not going to rush out and get her next book.
Judging a book by its cover: Woman in a denim miniskirt stands in a meadow with her back to the camera, holding an acoustic guitar over her shoulders. am assuming this is supposed to be Glory, but based on her description in the book, I don't think it fits her at all. She doesn't seem like the sort of person who would wear pink, for one thing. I'm also really annoyed by the askew "k" at the end of "Creek". I'm sure it's supposed to be playful and whimsical, but it just sets my teeth on edge.